The Advisory Panel is responsible for reviewing submissions to Hayes Creative Development programs and providing advice to the Programming Committee
Neil Gooding is an international theatre Director, Producer and Writer. He was the originating Chairman and one of the founding members of Hayes Theatre Co in Sydney, is the head of New Musicals Australia and in 2002 established his company, Neil Gooding Productions (NGP). Neil has been awarded a Bachelor of Commerce and a Bachelor of Law, both from the University of Queensland. As a director, Neil was nominated for a 2009 Helpmann Award and a 2009 Green Room Award for the Australian premiere of Gutenberg! The Musical. He has also been nominated for a Sydney Theatre Critics Award for his direction of the Australian premiere of Dogfight. Other directing highlights include the Australian premiere of Stalking The Bogeyman (Old Fitz Theatre), the World Premiere concert version of Paris, the World Premiere of The Red Tree, Church And State (Asst. Director – New World Stages), Passion (Arts Centre Melbourne for Life Like Touring), the World Premiere of The Hatpin starring Caroline O’Connor which went on to perform at the New York Music Theatre Festival (as Asst. Director), Truth Beauty And A Picture Of You and High Fidelity (Hayes Theatre Co); the national tour of Thank You for Being A Friend; as well as Side by Side by Sondheim and Diciasette (starring Mark Vincent). As a producer, Neil’s work internationally includes the New York production of Handle with Care starring Carol Lawrence; The 39 Steps (Union Square Theatre); Alan Cumming’s one-man version of Macbeth on Broadway; Church And State (New World Stages, NYC) as well as being a financial investor in the Broadway productions of It’s Only A Play and The Ferryman. In London’s West End, Neil was a producer of the hit Australian play, Holding the Man. His producing credits in Australia include: High Fidelity (Hayes Theatre Co), the multi Helpmann Award winning Sweet Charity (Hayes / National Tour); Sing on Through Tomorrow; LOVEBiTES ; Love Letters starring Ian Stenlake and Rachael Beck and the original tour of Breast Wishes.
Sheridan is an actor, playwright and director, graduating from NIDA in 2006. Her musical Songs for the Fallen won Best Musical, and Outstanding Actress at the New York Music Theatre Festival and toured Sydney and Brisbane Festival, Arts Centre Melbourse and New Zealand. She was a Griffin Studio member and directed and co-wrote Nosferatutu, or Bleeding at the Ballet for Griffin. Sheridan is also the director and dramaturg of the upcoming new musical Dubbo Championship Wrestling for Hayes Theatre Co. Recently Sheridan starred in Prima Facie at Griffin Theatre and received Best Actress from the Sydney Theatre Awards and GLUG Awards. Sheridan has collaborated with the UK cult band The Tiger Lillies for the Biennale and appeared with John Cleese in the Just For Laughs Festival. Theatre credits include, Muriel’s Wedding The Musical; The Dog/The Cat; The Sugar House; Girl Asleep (Belvoir), North by Northwest; The Beast; The Speechmaker (Melbourne Theatre Company) and The Detective’s Handbook and You’re a Good Man Charlie Brown (Hayes Theatre Co). She played Valerie Solanas and Judy Garland in Jim Sharman’s film Andy X. Television credits include Rake, All Saints, Wild Boys, Doctor Blake Murder Mysteries and The Justine Clarke Show.
Kenneth is an actor/director/writer/producer of Filipino descent, graduating from NIDA in 1995. His directing debut was an immersive theatrical and cinematic music show They Say She’s Different (Melbourne Fringe/Adelaide Cabaret Festival). In 2021 he directed Chop Chef, (Blush Opera/Riverside Theatres) and Eat Me: Blowback (NIDA). He co-founded kwento, a company dedicated to producing and presenting Australian stories reflective of our country’s diversity. He is slated to direct with kwento Ate Lovia (Redline/Old Fitz) and The Marriage Agency (KXT/bAKEHOUSE). As part of the STC/CAAP Directing Initiative, he was Assistant Director to Kip Williams on Playing Beatie Bow and to Paige Rattray on How to Rule the World and The Deep Blue Sea (STC). He was a leading artist in This Here. Land. (Liveworks) and collaborated with Paschal Berry and Anino Shadowplay Collective in Within and Without (PSpace/Blacktown Arts). He directed the readings of Hubris and Humiliation (STC Rough Draft), Daddy and Office Hour ( KXTeethcutting) and the developments of The Grocer (PWA/Belvoir) , Na’s Marriage Agency (DTC–Next In Line). He has several writing projects in development including One Hour No Oil co-written with Jordan Shea. He facilitated 200 Stories High (PWA) Artist Lab 2020 (CAAP) and recently Making A Musical 2021 (Hayes Theatre Co/CAAP). Performing credits include An Enemy of The People (Belvoir) Kasama Kita (25a) Muriel’s Wedding The Musical, (STC and National Tour) Talk, Australian Graffiti, Cyrano De Bergerac, A Man With Five Children (STC), The Lion King Musical (Australian/Asian Tour), War Horse (National Tour), Three Sisters (Sport for Jove), The White Divers of Broome(BSSTC), Cruise Control (Ensemble), Australia Day (National Tour) and August: Osage County (Repertory Philippines). Numerous Film and TV credits include Lucky Miles, Locusts, Bureau of Magical Things, Janet King, Schapelle, East West 101, Water Rats, Wildside, White Collar Blue, City Homicide, Comedy Inc. and Playhouse Disney. He is a Company Member for NIDA, in the Hayes Theatre Co Advisory Panel, a Committee Member for Actors Benevolent Fund of New South Wales, member of the Diversity and Pride Committees of MEAA, and a panellist for the Sydney Theatre Awards. He is a proud member of Equity since 1995.
Shaun is an award-winning NIDA and RADA graduate director who has worked across Australian premiers of new works to innovative revivals of treasure musicals. Drawn to stories of desire and heart, Shaun has received three Sydney Theatre Award nominations for Best Director, and won the Broadway World Award for Best Direction of a Musical for his 2016 production of RENT (Highway Run Productions) at Hayes Theatre Co. This year has already seen Shaun direct: Irene (Neglected Musicals), The Rose & Disguise of Elizbaeth R (Sugary Rum Productions in association with Hayes Theatre Co), Considering Matthew Shephard (Sydney Philharmonia Choir), Mamma Mia! (Western Australian Academy of Performing Arts) and soon he will direct the Australian Premiere of Amelie for Darlinghurst Theatre Company. As a director Shaun’s musical theatre credits include: The Rise and Fall of Little Voice (Darlinghurst Theatre Company), Sweet Charity (WAAPA), The View Upstairs (Invisible Wall Productions and Sugary Rum Productions in association with Hayes Theatre Co), Carmen; Live or dead (Oriel Group). #VAL (His Majesty’s Theatre). You’re a Good Man Charlie Brown (Hayes Theatre Co), Bloody, Bloody Andrew Jackson (WAAPA), Wicked (Freerain Theatre) and Only Heaven Knows (Luckiest Productions in association with Hayes Theatre Co) which received 9 Sydney Theatre Award nominations including Best Director of a Musical. Shaun has also directed the Australian premiere’s of Jess and Joe Forever (Sugary Rum Productions at 25A, Downstairs Belvoir) ; Tennessee William’s Baby Doll (Ensemble Theatre) and I Am My Own Wife (Redline Productions). As the recipient of the Sandra Bates Directors Award 2017. Shaun directed on Neville’s Island and Lip Service (Ensemble Theatre) He was also Assistant Director on the London production of A Christmas Carol (The Tabard Theatre) and Once We Lived Here (Kings Head) where he was Resident Director. Shaun co-created Light the Night, an annual benefit concert for leukemia research, which he produced and directed for 10 years.
Phillip Scott is a writer, actor, composer, pianist, best known for the Sydney Theatre Company’s annual Wharf Revue. His cabaret’s include the award-winning solo show Reviewing the Situation, Mario (with Blake Bowden), Newley Discovered (with Hugh Sheridan) and No Cabaret for Old Men (with Jonathan Biggins). He was also co-writer and composer for the musicals Safety in Numbers and The Republic of Myopia. With Trevor Ashley, Phil has co-written adult pantos including: Fat Swan, Little Orphan Trashley, The Bodybag and The Lyin’ Queen. Phil recently played Dr Pangoss in Leonard Bernstein’s Candide at the Sydney Opera House and was Musical Director/Arranger of Torch Song Trilogy for Darlinghurst Theatre Company. With Catherine Alcorn, he appeared last year at Hayes Theatre Co in 30 Something which was set on New Year’s Eve 1939. Phil has published four novels and is also a music reviewer for Limelight Magazine.
Katherine began her award-winning career in theatre in 1982 and in 2006 was awarded The ANPC Award for her substantial contribution to the Australian theatre industry. Theatre credits include: A Change in the Weather (1982), Tonight We Anchor in Twofold Bay (1985), A Sporting Chance (1987), Darlinghurst Nights (1998), Diving For Pearls (1991), Barmaids (1991), Fragments of Hong Kong (1995), King Tide (2007), Navigating (1997), This Hospital is My Country (2000), Kayak (2001), Mavis Foes to Timor (2002) and Harbour (2004). Katherine’s productions continue to enjoy successful seasons in Australia’s major theaters today. Katherine has written and script produced for seasons 4, 5 and 6 of the acclaimed TV series A Place To Call Home (2017 Logie for Most Outstanding Television Drama) as well as being a writer and associate producer on the upcoming series Back To The Rafters for Amazon Prime Video and Fremantle Media. Other recent screenwriting credits include House Of Hancock (Winner, 2015 AWGIE; Nominated, 2016 NSW Premier’s Literary Awards) Schapelle; Blackjack (Winner, 2007 AWGIE) and a number of Halifax FP episodes (Nominated, 2002 AFI Award best screenplay – Telemovie; Nominated AWGIE; Nominated, 1998 AFI Best Screenplay – Telemovie; Nominated, 1998 AWGIE); Killing Time; East West 101 (Nominated, 2009 AWGIE); Satisfaction (Nominated, 2008 Logie, Most Outstanding Drama Series); Wildside; Grass Roots (Nominated, 2001 NSW Premier’s Literary Award, Scriptwriting); Fallen Angels; Snowy and GP (Winner, 1993 AWGIE; Winner, 1993 NSW Premier’s Literary Award). Katherine is also the Australian co-writer of the Canadian-Australian co-production Answered By Fire, which won the Gold AWGIE in 2006. Other credits include documentary series Darwin’s Brave New World and feature documentaries Unfolding Florence – The Many Lives of Florence Broadhurst and Women He’s Undressed, both directed by Gillian Armstrong.